Avant-Garde and Traditional Cohabit Comfortably at La Jolla Symphony and Chorus Concert

Living up to its reputation as a citadel of the avant-garde, the La Jolla Symphony and Chorus under the direction of Steven Schick closed its 2017-18 season Sunday (June 10) with two substantial new works: Rand Steiger’s ”Template for Improvising Trumpeter and Orchestra” and Courtney Bryan’s “Yet Unheard,” as well as Gabriel Fauré’s endearing Requiem.

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Pianist Derek Paravicini Premieres Matthew King Concerto with Mainly Mozart Orchestra

Sunday’s Mainly Mozart concert under the baton of Music Director Michael Francis (June 10) featured the Festival Orchestra augmented by some 15 musicians from the Mainly Mozart Youth Orchestra, a Piano Concerto commissioned by Mainly Mozart, and a post intermission session in which guest pianist Derek Paravacini took themes and requests from the audience on which he improvised.

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Michael Francis and Anne-Marie McDermott Inspire Exotic Fare in Opening Mainly Mozart Festival Concert

Michael Francis opened the 30th installment of San Diego’s annual Mainly Mozart Festival Saturday, June 9, with an ebullient orchestra concert that started with with Jean-Féry Rebel’s harmonically startling, rarely performed Baroque dance suite “Les Élémens,” jumped to Mozart’s Piano Concerto in C Major, K. 415, featuring soloist Anne-Marie McDermott—that composer’s equally assertive attack on late 18th-century Viennese rococo elegance—and closed with Beethoven’s Second Symphony.

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Hearing Schubert’s Wintry Song Cycle in San Diego Spring

Sunday’s chilly, May gray afternoon provided appropriate weather in which to consider Franz Schubert’s and poet Wilhelm Müller’s wintry song cycle “Die Winterreise,” with its morbid musings over a lonely midwinter trek. Baritone Michael Sokol and pianist Nicolas Reveles did the honors in the downtown San Diego Public Library’s Neil Morgan Auditorium,

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