Posts Tagged ‘Sara Womble’
Vivid Ensembles Fill Opera NEO’s Second Installment of Mozart’s ‘The Magic Flute’
With its generous buffet of inviting ensembles, Opera NEO’s second installment of Mozart’s earnest yet fanciful moral fable, “The Magic Flute,” made its online debut Saturday, September 5.
Read MoreOpera NEO Rises to the Occasion with a Rewarding Virtual Cabaret Concert
Saturday, August 8, Opera NEO successfully revived and actually reinvented its cabaret night, a traditional festivity held the week before the opening of its annual summer festival, in an online format.
Read MoreOpera NEO’s gift of Early Mozart Splendor: ‘Idomeneo’
Opera NEO produced a musically sparkling although spare production Mozart’s early opera “Idomeneo” as part of this year’s Opera NEO Summer Opera Festival and Workshop at the outdoor Palisades Presbyterian Amphitheater in Allied Gardens
Read MoreOpera NEO’s Generous All You Can Hear Opera Buffet in Encinitas
As a tantalizing preview to Opera NEO’s upcoming festival of three staged operas, Friday’s Cabaret concert at the Encinitas Library Concert Hall promises a season of highly charged drama and polished lead singers. This annual program offered a sparkling variety of ensembles and duets from opera, operetta, and musical theater performed by the members of the 2018 festival.
Read MoreOpera NEO’s Aria Marathon Opens the Summer Opera Season on Many, Many, Many High Notes
Encountering Opera NEO’s annual Aria Marathon Sunday, July 15, at Palisades Presbyterian Church in Allied Gardens signaled that Opera NEO’s summer festival is again at hand. This marathon is a ritual that gives each singer participating in the five-week festival the opportunity to sing their best opera aria to a captive audience.
Read MoreImpressive Opera NEO Production Brings Mozart Up to Date
Opera NEO’s compelling “Don Giovanni” production brimmed over with insights and creative approaches that have marked the company’s sparkling previous productions. A cast of young, well-trained singers proved more than equal to the challenges of one of Mozart’s most daunting scores . . .
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