We’re vaccinated. We’re masked. And we’re returning to theaters to see dance! Last week, I got to shows by two companies, Litvak Dance and Malashock Dance. Both featured work by multiple choreographers, making it a dance bonanza.Read More
Two “tribes”—one dressed in brown, the other in green—exchange wary glances. Using wooden cubes, they stake out their territory and line up, facing off. Yet, a moment later, a man ventures out from the four-person greens, a woman from the browns. To music with a waltz tempo, they explore lyrical partnering.
How do we respond to someone we perceive as “other?” With curiosity or fear?Read More
Though the circus artists mostly occupied center-stage in “Without a Net,” the dance smartly complemented them, setting an edgy European-circus mood. I was primed to see something weirder at the midpoint in the 80-minute program, when my half of the audience switched places with folks who’d been at the “Side Show.” Weird, it was.Read More
John Malashock’s latest show, “Eye of the Beholder,” is a collection of 14 pieces, most of them duets. The whole thing runs for about an hour, which works out to about four minutes per dance—about the length of numbers on “So You Think You Can Dance.” The effect was like nibbling a lot of hors d’oeuvres at a cocktail party. It’s all tasty, but at the end, you’re still hungry for dinner.
“Eye of the Beholder” nonetheless offered some delectable bites: acrobatic partnering and well-drawn sketches exploring a range of emotions.Read More