Posts Tagged ‘J.S. Bach’
Rafael Payare Announces Exciting 2020-21 Season for the San Diego Symphony
If the current absence of live symphonic music at the Jacobs Music Center can be assuaged, I suggest contemplation of San Diego Symphony Music Director Rafael Payere’s recently released 2020-21 season of the Jacobs Masterworks Series is just what the doctor ordered.
Read MoreRamirez Rescues Live Performance at the Organ Pavilion While City’s Music Venues Are Darkened
San Diego concert halls were dark this weekend in compliance with the growing restrictions on public gathering due to the spread of the coronavirus. San Diego’s prized Spreckels Organ, however, has no hall and plays into the spacious outdoor setting of Balboa Park, so Civic Organist Raúl Prieto Ramirez took advantage of his unique venue…
Read MoreArt of Élan’s Compelling Chamber Music for These Distressing Times
Given the shocking cancellations by major San Diego performances slated for this week by San Diego Opera and the La Jolla Symphony and Chorus, it was a minor miracle that Art of Élan presented its chamber concert Tuesday, March 10, at the San Diego Museum of Art.
Read MoreOpera NEO Offers Mozart, Gounod, and Rameau in Promising 2020 Summer Opera Festival
Following a pattern that has won devoted audiences, the Opera NEO Summer Opera Festival has announced its August 2020 season: two repertory favorites, Charles Gounod’s “Faust” and Mozart’s “The Magic Flute,” complemented by a Baroque rarity, Jean Philippe Rameau’s “Platée.”
Read MoreBritish Pianist Benjamin Grosvenor Makes Splendid Debut in Mozart Concerto with the San Diego Symphony
Friday’s San Diego Symphony concert devoted to the music of Mozart and Mendelssohn featured guest soloist Benjamin Grosvenor in a brilliant account of Mozart’s E-flat Major Piano Concerto, K. 271, and Mendelssohn’s Fifth Symphony (“Reformation”) under the baton of Jun Märkl.
Read MoreThe Danish String Quartet Excels with Its Three B’s: Bach, Beethoven, and Bartók
The Danish String Quartet invited Friday’s audience at The Conrad to join them on the third musical journey of their “Prism Project” at the La Jolla Music Society. Starting with the serene counterpoint of J.S. Bach, the quartet seamlessly moved to Beethoven’s bold thematic freedom and culminated with Bartók’s heady release from the predictable straitjacket of tonality.
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