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From Sublime to Annoying: Litvak Dance’s “Border Stories”

By Janice Steinberg | April 13, 2022 |

Weinberg is laudably committed to showcasing a range of choreographers. Here, it was a very wide range, from the sublime Lux Boreal to a piece that put the focus on one’s experience as a viewer—in this viewer’s case, an experience of annoyance.

Camarada Brings the Music of Stefan Cwik to Its Mingei Museum Concert

By Ken Herman | April 12, 2022 |

‘Mosaics’–Camarada’s chamber concert Sunday at the Mingei Museum–featured both the music and presence of San Francisco-based composer Stefan Cwik.

Goerne and Cho Soar in Their Sublime Liederabend at The Conrad

By Ken Herman | April 9, 2022 |

The La Jolla Music Society presented the seasoned German baritone Matthias Goerne with the young Korean pianist Seong-Jin Cho in a transcendent German art song recital at The Conrad.

Mystery at OnStage Playhouse Leads to Dark Reveals

By David Dixon | April 7, 2022 |

Sometimes, it is best to go into a theatre not knowing much about the show’s plot. While many critics have discussed productions of The Other Place, in depth, that arguably takes away from the journey that the audience goes on with the main character, Juliana Smithton (Tina Machele Brown).

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