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‘Hair: The American Tribal-Love Rock Musical’ made waves in the Broadway of 1968 with its nudity and its public opposition to the American military effort in South Vietnam. It’s frankly not the best script in the history of the universe — but OB Playhouse correctly sees its value as a marker for Ocean Beach and the spirit of the times.
Egypt’s pharaohs had nothing on the puppets their dynasties loved, just as the postmodern era has embraced puppetry with vigor and delight. New Village Arts’ very good ‘Avenue Q’ capitalizes on our centuries-old affair with our inner marionettes — with a big dose of the real world to keep things in perspective.
Opera superstar Nathan Gunn opened his one man show “Flying Solo” at the Lyceum Theatre. A clever fusion of biography, confessional, and solo recital recounts the story of a high school wrestler from South Bend, Indiana, who makes his way to the stage of New York’s Metropolitan Opera as its leading baritone.
Guest conductor Edo de Waart’s delightful San Diego Symphony program balanced a tip of the hat to the Bernstein centennial—his evergreen “Candide” Overture—with Francis Poulenc’s show-stopping Concerto for Two Pianos featuring the effusive Naughton sisters and Johannes Brahms’ profound Symphony No. 2 in D Major.
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