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Sunday’s Mainly Mozart concert under the baton of Music Director Michael Francis (June 10) featured the Festival Orchestra augmented by some 15 musicians from the Mainly Mozart Youth Orchestra, a Piano Concerto commissioned by Mainly Mozart, and a post intermission session in which guest pianist Derek Paravacini took themes and requests from the audience on which he improvised.
All this talk of fences and walls and migration is exhausting, except playwright Karen Zacarias and her director, Edward Torres, make it fun at the Old Globe Theatre.
Michael Francis opened the 30th installment of San Diego’s annual Mainly Mozart Festival Saturday, June 9, with an ebullient orchestra concert that started with with Jean-Féry Rebel’s harmonically startling, rarely performed Baroque dance suite “Les Élémens,” jumped to Mozart’s Piano Concerto in C Major, K. 415, featuring soloist Anne-Marie McDermott—that composer’s equally assertive attack on late 18th-century Viennese rococo elegance—and closed with Beethoven’s Second Symphony.
Under the leadership of Matt M. Morrow, Diversionary Theatre has gifted San Diego with sharp and complex productions and has broken the mold for what might be thought of as “gay” theatre. Its current production, Julia Meinwald and Gordon Leary’s The Loneliest Girl in the World aims even higher – and in many ways gets there….
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