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Being relatable has helped many humorists develop a loyal and devoted fan base. One writer who made a career of connecting with others was the newspaper columnist, Erma Bombeck.
Sunday’s program at the Museum of Photographic Arts, a tempting buffet of stylish, jazz-inflected bossa nova selections, demonstrated again the laudable versatility of the chamber ensemble Camarada.
Friday’s San Diego Symphony concert devoted to the music of Mozart and Mendelssohn featured guest soloist Benjamin Grosvenor in a brilliant account of Mozart’s E-flat Major Piano Concerto, K. 271, and Mendelssohn’s Fifth Symphony (“Reformation”) under the baton of Jun Märkl.
San Diegans impressed with the vocal and dramatic skills of mezzo-soprano Blythe Gaissert in San Diego Opera’s 2017 production of Laura Kaminsky’s challenging contemporary chamber opera As One should rejoice. Gaissert is back in town to sing the role of Hansel in the company’s production of Engelbert Humperdinck’s 1893 fairy tale opera Hansel and Gretel that opens February 8 in the Civic Theatre.
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