Opera Neo Collaborates with Hungarian State Opera in 2022 Summer Opera Festival
San Diego’s Opera Neo has announced the repertory for its 2022 Summer Opera Festival: Mozart’s early comic opera La finta giardiniera and Handel’s esteemed but rarely staged Ariodante. Opera Neo Artistic Director Peter Kozma has arranged to produce the Mozart opera with Hungarian State Opera, featuring a cast and production team of Hungarian and American artists.
Hungarian State Opera Artistic Director András Almási-Tóth will direct this exceptional joint production and Kozma will conduct. The production will open on July 1, 2022, at the Hungarian State Opera’s Eiffel Arts Center in Budapest and will presented again at San Diego’s Bread and Salt venue in Barrio Logan on August 6 and 7, 2022.“As opera is a global art form, adding this international component to our program will provide us with an ongoing benchmark and opportunities to exchange ideas with both young and established artists from abroad,” said Kozma.
Almási-Tóth will design the Mozart opera’s set, which Kozma described as both thought-provoking and playful.
“It is inspired by some of the greatest American artists of the 20th century, including Jeff Koons and Roy Lichtenstein,” Kozma noted. “While the opera itself is rarely performed, I have chosen to base this production on the 1796 Prague version of the score, which has been performed only a handful of times since its discovery in the last century, and offers a special insight into operatic performance practice during the years immediately following Mozart’s early death.”
The cast of American and Hungarian singers—all making their Opera Neo debuts—includes soprano Öznur Tülüoğlu (Sandrina), tenor Eric Laine (Podestà), mezzo-soprano Anna Trombetta (Ramiro), baritone Kyle White (Nardo), joined by Hungarian singers Artúr Szeleczki (Count Belfiore), Andrea Jőrös (Arminda), and Boglárka Brindás (Serpetta).
Australian-Dutch conductor Benjamin Bayl, who did such excellent work conducting Opera Neo’s Baroque gems Partenope in 2018 and La Calisto in 2019, will return to conduct the company’s period Baroque Ensemble for George Frederick Handel’s Ariodante, and Kozma will direct the production.
“Ariodante has recognizable ties to well known Shakespearean worlds: the opera’s foreboding backdrop of the Scottish highlands, castles, and moody seashore evokes the world of Macbeth,” said Kozma. “The storyline also echos Much Ado About Nothing, inasmuch as Ludovico Ariosto’s Orlando furioso is the source material for both.”The Ariodante cast includes Opera Neo alumna mezzo-soprano Stephanie Doche singing the title role; countertenor Michael Skarke as the ruthless, scheming Polineso, and Sara Womble as the flawed and complex Dalinda. Making their Opera Neo debuts are Ashley Fabian as the opera’s innocent heroine Ginevra, Brian Skoog as Ariodante’s vengeful brother Lurcanio, Andrew Boisvert as the deeply conflicted King of Scotland, and Lwazi Hlati as the courtier Odoardo.
Other offerings in this season’s Opera Neo summer festival include the annual season-opening Aria Gala—formerly known as the Opera Marathon—staged at a new venue for the company, La Jolla’s Conrad Prebys Performing Arts Center on Sunday, July 10, 2022, at 6:00 pm, as well as the popular Cabaret evenings, which will be held this year at Bread & Salt on Friday, July 22 and Saturday, July 23 at 7:30 pm. The Opera Neo Cabaret traditionally features opera, operetta, and Broadway scenes performed in a the comfortable ambiance of dinner, drinks, and dessert.
Ken Herman, a classically trained pianist and organist, has covered music for the San Diego Union, the Los Angeles Times’ San Diego Edition, and for sandiego.com. He has won numerous awards, including first place for Live Performance and Opera Reviews in the 2017, the 2018, and the 2019 Excellence in Journalism Awards competition held by the San Diego Press Club. A Chicago native, he came to San Diego to pursue a graduate degree and stayed.Read more…
I will be glad to see Ariodante, which I attended during the opening season of the Kennedy Center in the summer of 1971. The cast included Tatiana Troyanos in the title role (Ariodante a Scottish name?:)) and Beverly Sills as Dalinda. It was a Tito Capobianco production with every movement choreographed by his wife Gigi Denda. Of course, they did not use original instruments. A great memory for me. Surprisingly, San Diego Opera also staged this opera in a less memorable production several years ago.