Posts Tagged ‘Rose Lombardo’
Art of Élan’s Compelling Chamber Music for These Distressing Times
Given the shocking cancellations by major San Diego performances slated for this week by San Diego Opera and the La Jolla Symphony and Chorus, it was a minor miracle that Art of Élan presented its chamber concert Tuesday, March 10, at the San Diego Museum of Art.
Read MoreAx and de Waart Provide Splendid Opening of the San Diego Symphony’s January Beethoven Festival
Principal Guest Conductor Edo de Waart led the San Diego Symphony in an inspiring, tautly disciplined all-Beethoven concert this weekend, Jan. 10-12. And as soloist in Beethoven’s First Piano Concerto, Emanuel Ax proved to be maestro de Waart’s ideal partner in crime.
Read MoreRafael Payare Leads the San Diego Symphony in Superb Concert of Mozart and Mahler
Friday’s San Diego Symphony Concert revealed that the romance between the Symphony and its new Music Director Rafael Payare continues to flourish. And San Diego audiences are responding with a spirited zeal that has taken residence in Copley Symphony Hall only since Payare’s advent.
Read MoreNew San Diego Symphony Music Director Rafael Payare Thrills with Mahler’s Fifth Symphony
New Music Director Rafael Payere thrilled the sold-out audience at Copley Symphony Hall Saturday leading the San Diego Symphony in an electric, emotionally riveting account of Gustav Mahler’s monumental Fifth Symphony.
Read MoreSmart Contemporary Chamber Music at La Jolla SummerFest
In his opening remarks to Sunday’s La Jolla SummerFest concert, composer David Lang explained that he chose the evening’s program to demonstrate how certain contemporary composers were showing their respect for music’s past. He gave us a helpful insight to Caroline Shaw’s 2011 work “Entre’acte,” noting that the composer set to work on this piece…
Read MoreSummerFest Boldly Mixes George Crumb and Maurice Ravel with Rachmaninoff on Sunday’s Program
Sunday afternoon, SummerFest Music Director Inon Barnatan matched Claude Debussy’s “Prelude to the Afternoon of a Faun” and Sergei Rachmaninoff’s virtuoso, arch-Romantic Sonata in G Minor for Piano and Cello, Op. 19, with George Crumb’s rarely performed 1971 “Vox Balaenae” (“Voice of the Whale”) for amplified flute, cello and piano, and Maurice Ravel’s “Trois poèmes de Stéphane Mallarmé.”
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