Posts Tagged ‘Kate Hatmaker’
Art of Élan’s Compelling Chamber Music for These Distressing Times
Given the shocking cancellations by major San Diego performances slated for this week by San Diego Opera and the La Jolla Symphony and Chorus, it was a minor miracle that Art of Élan presented its chamber concert Tuesday, March 10, at the San Diego Museum of Art.
Read MoreArt of Élan pairs Caroline Shaw with Lee Krasner in Abstract Expressionist Gallery at the San Diego Museum of Art
Friday at the San Diego Museum of Art, the musical ensemble Art of Élan offered a short program of music by contemporary American women composers in the museum’s downstairs gallery devoted to art by women Abstract Expressionists.
Read MoreArt of Élan: Fine Performance Without Applause–an Idea Whose Time Has Come
Questioning the protocol of concert attendance is rarely undertaken, but Kate Hatmaker, Artistic and Executive Director of Art of Élan, made a brave suggestion before the group’s concert Tuesday, May 7, at the San Diego Museum of Art. She asked the audience not to applaud after each of the seven works on the evening’s program. The result proved astounding.
Read MoreArt of Élan Presents Brooklyn Rider at The Conrad’s JAI Hall in La Jolla
Tuesday, April 16, Art of Élan presented the New York City-based Brooklyn Rider ensemble with guest clarinetist Kinan Azmeh at the recently opened Conrad Prebys Performing Arts Center’s JAI performance space in downtown La Jolla.
Read MoreCurious and Delightful Finds by Art of Élan at the San Diego Museum of Art
For Art of Élan’s sleekly delivered concert on March 12 at the San Diego Museum of Art, Executive Director Kate Hatmaker selected an unusually amazing musical repast, starting with Georg Phillipp Telemann’s “Gulliver’s Travels” Suite for two violins and ending with a rare string quartet by film score great Nino Rota
Read MoreChamber Music on the Cutting Edge from Franz Joseph Haydn to Matthew Aucoin
“All music was new at one time,” quipped Matthew Aucoin Tuesday as he welcomed the audience to his “Hearing the Future” festival chamber music program in the Auditorium at TSRI. Following his festival theme, Aucoin chose pieces that were pivotal when they were written, displaying approaches that pointed to a musical future barely on the horizon.
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