Posts Tagged ‘City Ballet of San Diego’
Who Cares? Everyone—City Ballet’s “Balanchine and More”
City Ballet of San Diego opened its “Balanchine and More” with “Who Cares?,” George Balanchine’s 1970 ballet set to nine Gershwin tunes. Lighthearted and flirty, the piece was a delicious kickoff for a program demonstrating the extraordinary care that has made City Ballet a stellar company whose dancers gobble up challenging repertory … and do it to a live orchestra.
Read MoreGlorious Dance and Music in ‘Requiem’ Triple-Bill Marks City Ballet’s 26th Season
Movement and music were unified, and it was difficult to choose where to look. Three dynamic dances set to soft piano, bold snare drum, and a sacred mass reminded us that life is good, and…
Read MoreIt’s the Music! It’s the Dance! City Ballet’s Balanchine Masterpieces Wows
In last weekend’s “Balanchine Masterpieces” program, the music proved as thrilling as the dance—especially Mark Polesky at the piano. Polesky brought brightness and verve to the Stravinsky and richness to Hindemith’s changing moods. And that was on an electric keyboard! The dance was equally stunning, from the moment the Spreckels Theatre curtain rose on a chorus line of dancers in sparkly lipstick-red.
Read MoreFluttering Wings and Charming Minis Return in City Ballet’s Familiar ‘Tchaikovsky Spectacular’
Bravo to City Ballet for its dedication to fine ballet and live music to enrich the experience. When the dancers stepped forward for bows, they were dressed in their costume of the calendar, a mix of fabrics and styles, and an energized audience applauded with gusto, and in equal measure for the City Ballet Orchestra and soloists…
Read MoreLive Music Elevates City Ballet’s Magic and Tragic Dances
For “Carmina Burana,” Mr. Gonzalez integrates Carl Orff’s potent score into the tragic story of a banker ruined by the Great Crash of 1929, When he lost all of his wealth, he walked the streets of New York with a gun and…
Read MoreCity Ballet’s “Giselle” is a Gem
As Albrecht’s deception was revealed, Breschi squirmed with a delicious caddishness I hadn’t seen in this role. And when he got on his knees and begged Giselle’s mother (Kimberly Roberts) for forgiveness, wow! She rebuked him with such sharp gestures, I thought she was going to rip him limb from limb—and I hated Albrecht so much, I wanted her to do it.
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