Bach Collegium San Diego Brings Compelling Period “Messiah” to The Conrad in La Jolla

The December 22, 2019, performance by the Bach Collegium San Diego of G. F. Handel’s complete “Messiah” in the Baker-Baum Concert Hall of the Conrad Prebys Performing Arts Center in La Jolla benefited greatly from the new hall’s splendid acoustics, high ceiling and clean sight lines. Of even greater import, the Bach Collegium’s fresh, insightful approach to 18th-century period performance practice gave it uncanny communicative powers to a 21st-century audience.

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Hausmann Quartet Pairs Andrew Norman and Stravinsky with Haydn

Sunday’s November 10, 2019, Hausmann Quartet concert at the Maritime Museum of San Diego continued the ensemble’s traversal of all of the Haydn string quartets. Their program also included Andrew Norman’s “Peculiar Strokes” from 2011 and Igor Stravinsky’s rarely programmed single movement “Concertino” from 1920.

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Hausmann Quartet Brings Haydn’s ‘Seven Last Words’ to an East Village Loft

In addition to the Hausmann Quartet’s multi-year traversal of all the Joseph Haydn string quartets, the intrepid San Diego ensemble has annually presented during the season prior to Easter the composer’s string quartet version of his profound orchestral work “The Seven Last Words of Christ.” This year, Hausmann gave their concert Sunday, April 14, in the Luce Loft down in San Diego’s East Village.

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Hausmann Quartet Pairs Haydn’s ‘Emperor’ Quartet with Terry Riley

The Hausmann Quartet’s latest installment of its Haydn Voyages at the San Diego Maritime Museum on Sunday, March 31, offered a pair of Haydn String Quartets—including the beloved C Major “Emperor”—a plush work by Terry Riley called “G Song,” and three Armenian Folk Songs arranged for string quartet. I was quite taken by Riley’s “G…

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