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It’s gratifying to see that the Old Globe’s Shakespeare Festival continues under Adrian Noble’s steady leadership. I also find it interesting that the common theme in this summer’s Shakespeare Festival at the Old Globe is oppression. What’s most interesting is that this theme uplifts audiences when treated with a light touch even as it hammers audiences into grudging submission when confronted directly. This summer marks Adrian Noble’s third as artistic director of the outdoor Shakespeare Festival, and he has proven to be a stabilizing force during a time when the Globe has been undergoing leadership changes. Mr. Noble, a former…
Audiences dreamed the impossible dream when “Man of La Mancha” opened in 1965. Despite his recent assassination, John F. Kennedy’s Camelot era still ruled both the national mood and the Broadway stage. The cynicism that accompanied a prolonged war and battles for civil and other rights would not set in for a couple of years yet. Memory of political repression during the post-World War II era was keen, however, so a musical about Miguel de Cervantes, aka Don Quixote, a cockeyed idealist set against the Spanish Inquisition resonated strongly and was widely cheered. That era came and went quickly and…
If Michelangelo and Leonardo da Vinci are arguing esthetics, we want to be there, right? Well, it really happened, apparently, in 16th Century Florence, just after Michelangelo had finished his David and Da Vinci was starting his Mona Lisa. All Florence was abuzz, it seems, with their rivalry. Too bad we have, not an eye-witness account, but only “Divine Rivalry,” a shambling play by Michael Kramer and D.S. Moynihan, now at the Old Globe Theatre in a production as gorgeous physically as it is soporific theatrically. The actors slouch and shout at each other. Their body language suggests confusion; their…
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