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Catalina Maynard a Powerhouse in ion’s Julia

By Bill Eadie | October 7, 2012 |

ion Theatre’s Claudio Raygoza has created Julia, a world premiere version of August Strindberg’s Miss Julie. His creation contains a cup of its original author, two cups of Tennessee Williams, and a pinch of Mexican telenovelas. And, in his title character he’s given company stalwart Catalina Maynard a bitch-goddess role worthy of her considerable talents.

Poetry in the Backwoods

By Welton Jones | October 7, 2012 |

There’s a niche in railroad folklore chronicling dare-devils trying to beat the trains: speeding toward the crossing, leaping on or off the moving cars, racing across the trestle just at the last minute. Usually, for the tale to last, somebody has to die. Well, somebody does die in Naomi Wallace’s play The Trestle at Pope Lick Creek, now being presented by Moxie Theatre. A couple of people die, in fact, and more may follow. It’s the Great Depression and everybody is thoroughly bummed out. But these aren’t everyday deaths, just as the people aren’t real everyday folks. The play is…

Lang Lang Finds Subtlety in Beethoven

By Ken Herman | October 6, 2012 |
Pianist Lang Lang (Photo by Detlef Schneider)

Recently the “made in China” label has been tarnished by controversies, including outsourcing and sweatshop labor practices. But neither politics nor controversy has clouded the superstar status of Lang Lang, the ubiquitous Chinese concert pianist who opened the San Diego Symphony fall season Friday (Oct. 5) under Music Director Jahja Ling. Lang’s presence on the program surely accounted for the sold-out house—the orchestra may have a respectable following, but sold-out symphony concerts are rare at Copley Symphony Hall—and the audience showered him with an unusually ardent and raucous response. And that was before he sat down to play the concert…

Satire Tonight in The Exit Interview

By Bill Eadie | October 6, 2012 |

You’ve probably guessed that we’ve got a satire going here, and, in fact, there’s quite a few laugh-out-loud lines. There’s also some pretty good send-ups of media conventions, some references to Obama and Romney that will be dated in six weeks, a funny “debate” about religion, and a lot of references that theatre insiders will catch. In fact, if audiences for The Exit Interview could consist entirely of other actors, it would be uproarious.

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