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Answers to Life’s Persistent Questions

By Bill Eadie | February 4, 2013 |

Chance Theatre’s current attraction, the West Coast premiere of Triassic Parq – The Musical, feels a bit like a rave. It’s ear-splitting, eye-popping, and sometimes too hip for its own good. But it’s also loose-limbed, terrifically sung, and hypnotically entertaining.

Latin American Music by Camarada

By Ken Herman | February 2, 2013 |

Chamber music thrives in San Diego County largely because the La Jolla Music Society, Mainly Mozart and the universities import it in large quantities. But chamber music regularly performed by local musicians remains the exception. Maybe with string quartets such as Emerson, Calder, and Pacifica making such regular visits, local string players figure, “Why bother?” We have two flutists to thank for the popular, well-attended chamber series that do engage local musicians. For the last five seasons, Demarre McGill, the former Principal Flute of the San Diego Symphony, and his partner violinist Kate Hatmaker have cornered the contemporary music niche…

The Surface is only a Gloss in The Brothers Size

By Bill Eadie | February 2, 2013 |

The Brothers Size, Tarrell Alvin McCraney’s first professional play, announces Mr. McCraney as a creative and complex thinker who challenges audiences with simple stories on classic themes whose surface glosses a wealth of meaning underneath. The Old Globe’s production leaves its audiences breathless, unsettled, and aching for more.

Mushroom tutus, love on a cloud, and screaming 80s a la Joffrey

By Kris Eitland | February 1, 2013 |

An especially animated and warm crowd poured out of Copley Symphony Hall Tuesday.  Several dashed into the cool night air without a coat. Many rubbed their ears.  A nimble silver-haired woman pushing a walker remarked, “Wow, that screamed 80s,” and several young couples appeared slightly dazed.   They’d all just experienced the Joffrey Ballet’s performance of “In the Middle, Slightly Elevated,” a masterpiece that shocks the senses, and all sense of ballet aesthetics, even if you are expecting to be shocked. Choreographed by William Forsythe for the Paris Opera in 1987, the work is danced by many companies around the…

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