Daring Multi-Media Composer’s Opera ‘Aging Magician’ Opens on San Diego Opera’s dētour Series

Mozart composed his celebrated fantasy opera The Magic Flute in a few months, but composer Paola Prestini took five years to complete her recent chamber opera Aging Magician. This unusual tale of an elderly clock-maker who struggles to collect and pass on the secrets of his trade before his eminent demise will make its West Coast debut at the Balboa Theatre on March 13, 2020, as part of the San Diego Opera’s dētour Series.

Paola Prestini [photo courtesy of San Diego Opera]

“The idea of making this opera came to me while reading Joseph Cornell’s short story ‘Aging Magician’,” Prestini explained in a phone interview from her home in New York City last month. “I bravely asked the performer Rinde Eckert, who had always been a hero of mine, to make an adaptation of the book for the project, and when I saw a production of [composer Philip Glass’s opera] Satyagraha directed by Julian Crouch, I knew I had to ask Julian to direct.” All three of these artists are listed as co-creators of the musical stage work Aging Musician.

The Aging Musician’s components—a vocal soloist, who portrays the clock-maker, a string quartet, and the Brooklyn Youth Chorus—present one of the more unusual rosters in the operatic canon.

“It was Julian who wanted to stage a choir,” Prestini explained. “In Greek mythology, it is Charon who guides people into the afterlife, and you don’t ordinarily think of Charon as a bunch of girls. But this chorus of youths actually complements in an unexpected way the whimsical, perennial child that is the main character.”

Prestini started working on Aging Magician in 2012, and she considers the work’s Broadway premiere in 2017 at The New Victory Theater as its completed form, “although it was produced in various festivals along the way, including a yearlong residency at the Park Avenue Armory in 2014—it really need that time to develop.

“Since the chorus was with the project for its amazing five years of development, some of the singers actually grew up with the piece. They may have been 12 years old when the project started, but by the time it was finished, they were finishing high school! It turned out to be an exceptionally powerful learning process.”

In spite of the work’s serious themes, Prestini confidently asserted that it is a family opera. “Yes, this is an opera that is about death, but children are not as afraid of serious themes as many adults think they are,” she observed. “I noted how much the children at the New Victory performances of Aging Magician laughed at Harold [the name of the clock-maker], who really is a giant child. So I describe this opera as a powerful confrontation of the issues of life and death with humor—it is an opera for anybody.”

Born in Italy, Prestini came to New York City 20 years ago to study and take degrees at the Juilliard School of Music and immediately became part of the city’s avant-garde musical community. While still a Juilliard student, she co-founded Visiontoart, a production company that developed and staged multi-media works. Among her catalogue of unusual creations, the 2016 Hubble Cantata stands out, a visual reality experience presentation that gathered some 6,000 attendees in Prospect Park, Brooklyn, giving the audience views of the cosmos directly from the Hubble Space Telescope.

“That was such a spectacular evening,” she recalled. “We gave everyone free cardboard glasses [goggles] for the visuals, while the music surrounded them, giving them the sensation of being in the cosmos.” About this event,  the New Yorker magazine’s Sarah Larson wrote, “Floating around the Orion Nebula . . . astounded me, this feeling of floating above Earth, and tears began to emerge from my cardboard goggles.”

The week after San Diego’s production of Prestini’s Aging Magician opens here, the composer’s newest opera, Edward Tulane, will receive its premiere at the adventurous Minnesota Opera company. Based on the best-selling book by Kate DiCamillo, Edward Tulane is actually a toy rabbit who thinks of himself as quite exceptional. Content in his easy life, his world is upturned when he is separated from his loving family and launched on a miraculous journey from the depths of the deep blue sea to the streets of Memphis. Not content to rest on her laurels, Prestini is also currently finishing another opera, Sensorium Ex, for the Atlanta Opera company.

San Diego Opera will present three performances of “Aging Magician” at the Balboa Theatre on March 13 & 14, 2020, with Rinde Eckert as Harold, the Brooklyn Youth Chorus, and the Attacca Quartet under the stage direction of Julian Crouch. Dianne Berkun Menaker will conduct.


Ken Herman

Ken Herman, a classically trained pianist and organist, has covered music for the San Diego Union, the Los Angeles Times' San Diego Edition, and for sandiego.com. He has won numerous awards, including first place for Live Performance and Opera Reviews in the 2017, the 2018, and the 2019 Excellence in Journalism Awards competition held by the San Diego Press Club. A Chicago native, he came to San Diego to pursue a graduate degree and stayed.Read more…

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