We love who we love, and we’re willing to bear the consequences, at least the way Paul Rudnick’s ‘Regrets Only’ tells it. Diversionary Theatre’s latest entry veers too close to farce at one point, but its storytelling is rife with sometimes painfully funny one-liners and situations to that end.

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Maybe Circle Circle dot dot needs to get more specific in its references to the city it seeks to portray and reflect. Even so, its “San Diego, I Love You, 2.0” features two very good performances in this story about military life and a couple’s sacrifice within it. The scrappy company understands that theater is a terribly public act, and its site-specific approach isn’t lost on an art form that’s been embracing community-based performance forever.

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