Posts Tagged ‘Jeanne Reith’
Lamb’s Players’ ‘Once’ an Excellent Mosaic Amid Collaborative Direction
If you were unfortunate enough to see Broadway San DIego’s ‘Once’ in 2014, you might want to consider the recast at Lamb’s Players Theatre — Kerry Meads’ excellent direction makes all the difference as she mines an actual play.
Read MoreDespite a Shaky Foundation, Intrepid’s ‘Art’ Is Good Fun
There’s more to friendship than friends. While the best among them may fight about the least quaintifiable things in life, something indefinable usually draws them together against some pretty tough odds. Yasmina Reza’s ‘Art,’ latest from Intrepid Theatre Company, is a case in point — it doesn’t make a perfect logistical sense, but the production values are often a sight to behold.
Read MoreScrooge Isn’t What He Should Be, but Cygnet’s ‘Carol’ Is a Lot of Fun
It’s better to give than to receive, and that holds for any time of year — but the Christmas season reflects that sentiment better than any other, and Cygnet’s fun ‘A Christmas Carol’ is a nice case in point.
Read MoreSD Rep Opens 40th Season With Southern Odyssey ‘Violet’
In the sullen south of the early 1960s, a sweetly intense young woman is on a Greyhound Bus quest to find a television evangelist who will wipe away her childhood scars with a miracle
Read MoreLamb’s’ Fair ‘Joseph’ Forgets Its Roots
Lamb’s Players Theatre is back at what it does best, branding an acclaimed stage piece with its own tight-knit look and feel. The problem is that the story behind ‘Joseph And the Amazing Technicolor Dreamcoat’ falls short of the company’s renowned potential.
Read MoreCygnet’s fair ‘Maple and Vine’ stumbles over itself
Technology has made the 1950s seem like centuries ago, and a lot more may (or may not) have happened to human interconnectedness in the meantime. Cygnet Theatre’s “Maple and Vine” takes a look at the simpler era and the very personal reasons behind the characters’ fascination with it — but amid the nice production values and fine acting, the script fuels a debate in which the playwright doesn’t want to take part.
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