Posts Tagged ‘InnerMission Productions’
Can San Diego Go From a ‘Good’ to a ‘Great’ Theatre Town?
I don’t pretend to be an expert in the business of theatre, but as an interested observer I have been alarmed by both the decrease in the number of professional productions, as well as the difficulty of finding venues where work can be produced.
Read MorePlaywright Takes No Prisoners in Innermission’s Good ‘Revolt.’
The world seems determined to sabotage its best efforts — even as it clearly defines its problems, its myopic better angels can’t deliver the cure. Innermission Productions’ good ‘Revolt. She Said. Revolt Again.’ looks at the state of humanity and doesn’t hesitate for an instant to point the finger of blame.
Read MoreSingers Wanted for InnerMission’s ‘Ordinary Days’
‘Ordinary Days’ is written as a 90-minute, no intermission, sung-through musical. Note: “sung-through.” Almost no dialogue. And, at best these are actors who sing, rather than singers who act…
Read MorePlayers One-Up Playwright in an Intense ‘Gidion’s Knot’
Young Gidion’s death by hanging is a loss from which his mom will never recover — and in Innermission Productions’ good
‘Gidion’s Knot,’ educational protocol is as much the culprit as anything.
Critics Circle Announces 2016 Craig Noel Award Nominations
The Craig Noel Award nominations represent the collective view of the Critics Circle members as to the strongest productions, performances, and technical work in the past year – and as such represent a kind of “report card” on the San Diego theatre community.
Read MoreBravos and Boos for 2016
We asked each of our writers to cast their thoughts as “bravos” and “boos.” As you’ll see, some of them found it easier to do than others. Be that as it may, we proudly present essays by Ken Herman, Kris Eitland, Bill Eadie, David Dixon, Martin Jones Westlin, and Welton Jones.
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