BODYTRAFFIC explored an intriguing range of music-dance relationships in work by an international roster of choreographers. Two of the Los Angeles company’s pieces were set to feel-good tunes by the likes of Peggy Lee and Oscar Peterson. Another used sappy songs by male crooners as an ironic counterpoint to almost-nude male solos. And one featured James Brown classics, but often edited into distortion. It made for an evening of superb dancing by eight gorgeous movers … and rich food for thought.Read More
Brooks commented on Barton’s gorgeous partnering and counterpoint.
“There was a sweeping quality that felt like calligraphy,” he said. “I like your sense of centrifugal force and not stopping.” His statement triggered laughter from Ms. Whelan in the bleacher seats, who is keenly aware of Brook’s dance aesthetic and approach to partnering.Read More