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Annie Baker is a youngish playwright whose work focuses on the byways and mores of rural New England. Probably her most well-known play is Circle Mirror Transformation, an ensemble piece about a small group of people who are taking a six-week theatre workshop at the community center in a Vermont town. When I first read about this play, I immediately thought that New Village Arts in Carlsbad was the perfect local company to stage it. My wish has come true: NVA has mounted a bang-up San Diego premiere that runs through March 2.
Milwaukee’s recent brazen Stradivarius violin heist—and subsequent recovery—has garnered a good deal of media attention, including a front-page story in the New York Times of Feb. 7, 2014. That same evening, another storied Stradivarius with an equally crime-tinged history made an appearance at downtown San Diego’s Balboa Theatre played by Joshua Bell in his performance with pianist Sam Haywood.
Lynn Nottage’s “Crumbs from the Table of Joy” is one of the busier plays out there amid its loaded dialogue and multiple subthemes–but even as it occasionally threatens to, MOXIE Theatre’s smart production never quite falls into the overwrought stage. Meanwhile, its young heroine trots out a maturity that marks her far beyond her years.
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