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‘The Book of Mormon’ Remains One of Funniest, Profane Musicals
“I believe” some may find “The Book of Mormon” too irreverent. But remember the heartwarming characters and message. F-bombs and C-word are excessive, still, it remains one of the funniest musicals, and the ending is romantically hopeful.
Read MoreEmotions Outrun Analysis in Loud Fridge’s ‘Straight’
Loud Fridge Theatre Group’s first production turns out to be both provocative and well-produced…
Read MoreRocking Out with Legends in Lamb’s Players’ Authentic ‘Million Dollar Quartet’
“We are transported to 1956, when Johnny Cash, Jerry Lee Lewis, Carl Perkins, and Elvis Presley meet at Sam Phillip’s Sun Record Studios in Memphis, when the four men are still in their 20s…
Read MoreMice and Rats Collide in PigPen’s Musical Fable at the Old Globe
It takes more than talking mice and princesses to make a tale. At the Globe, PigPen Theatre has tried to graft their folksy flavor into a children’s story about a heroic rodent named Despereaux but lost their way pretty soon. Confusion ensues.
Read MoreGetting Schooled by Children in Funny, Wicked-Smart ‘Matilda’ at Moonlight
“Matilda the Musical,” directed by Jamie Torcellini, has dynamic elements that we expect from Moonlight Stage Productions and a splendid cast that shines. Every scene screams with childlike imagination. In the tender song “Quiet,” Charity Rose as Matilda sings in a heartfelt whisper. As she walks closer to the stage edge, we are struck by her tiny frame and bravery…
Read More“Small Dances,” Compelling Stories: Litvak Dance at the Vine
Litvak Dance excels at storytelling, turning dances into intimate narratives. And Emily Miller is a gem, not only a powerful mover but a wonderfully mobile-faced actor whose pout could be a weapon. Those were my top takeaways from “Small Dances,” the program Litvak did at the Vine Theater last weekend.
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