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Who’s going to die? In Jean Isaacs’ propulsive, stomping, ominous “Rite of Spring,” one dancer after another appears isolated from the rest … and will he/she be chosen to be sacrificed? Erica Ruse does a tortured, limb-flinging solo, while the others stand and watch. And these folks, denizens of a wonderfully creepy leather bar, doesn’t look friendly.
As we anticipated three dances — “Arden Court,” “Changes,” and “Cloven Kingdom,”
there was a sense of connecting with history, almost touching Taylor’s long arms, and those he had touched.
Henry VIII couldn’t soldier his way out of a wet paper bag, but he knew how to push other soldiers’ buttons. Then he met Katherine Parr, in whom he met his match. Cygnet Theatre Company’s ‘The Last Wife’ chronicles the events and the outcome — and while the script holds out Parr as a model, the show certainly does not.
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