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For any production of Monty Python’s Spamalot to succeed, there needs to be well-delivered, non-stop hilarity coupled with cleverly executed musical sequences. Cygnet Theatre’s interpretation features these elements in spades, largely thanks to Artistic Director, Sean Murray.
If you think that the timing of the current successful revivals of Tony Kushner’s award winning play “Angels in America: a Gay Fantasia on National Themes” in New York City and at the Berkeley Rep in the San Francisco Bay Area is accidental, then you have not been paying attention to either the playwright or to Washington politics.
“Burton’s Prospera demands that we view the character and her relationships in new light. She’s a commanding Supermom who makes promises and casts spells…”
I’m happy to report that the national touring company of The King and I, stopping at the Civic Theatre this week, meets the challenges of staging this musical very well.
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