DANCE REVIEWS
IMAGOmoves’ “Mapping Games” Puts New Venue on the Map
One of the pleasures of IMAGOmoves’ performance was the venue, the Encinitas Community Library. Another was Yolande Snaith’s solo, in which she conjured sculpture and music with gorgeous hand gestures. The rest of this dance, however, could have used a stronger authorial hand …
Read MoreDancing Ghost of Isadora Duncan Seen on El Cajon Blvd.
Authentic reconstructions of Duncan’s choreography were beautiful because of their simplicity and grace, enhanced by lovely Duncanesque costumes in eye-soothing colors from nature. Some were exciting little bursts…
Read MoreAna da Costa Ravishing in City Ballet of San Diego’s “Swan Lake”
There are live dogs onstage in City Ballet of San Diego’s production of Act II of “Swan Lake,” and a live swan, as well – or, as close to a swan as a human dancer can be. Ana da Costa, a Brazilian ballerina new to the company this season, is a stunningly swanlike Odette, with a ridiculously mobile back,
Read More‘Grease’ a Lightning Hit, Cool Cast & Extra Twist at Welk
Director/choreographer Ray Limon travels back to the show’s raunchier roots, catchy songs, and propulsive dances. He draws remarkable performances from the cast, and he gives the satire an extra twist…
Read MoreLive Arts Fest Features New Dance Companies from SD and SF
Guts, grit, and women with a bitch of a time getting their dresses to zip when Women of Viv and Lavina Rich’s Push Process deconstruct glamour at the Live Arts Fest.
Read MoreMusic is the Lifeblood, Malashock’s Choreography Adds Stunning Physicality
If music is the lifeblood of dance, Malashock’s choreography adds bones, muscles, and powerful visual imagery. From the lilting playfulness of the opening “Great Day” to a final image of transcendence, “Lifeblood Harmony” is a thrilling evening of dance. Just two more shows, tonight and tomorrow. Here’s why you shouldn’t miss it.
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