Posts by Kris Eitland
Mark Morris’s ‘Pepperland’ Invades the Civic Theatre
Morris can’t describe the dancing in “Pepperland,” except to say: “It’s full on dancing and fabulous, and the music is marvelous. It may be dark outside, but yes, dress in brilliant colors! It’s not hippie, it’s mod…”
Read MoreMusic and Message in ‘South Pacific’ Rich, Provocative after 70 Years
“There is nothing like a dame,” and there is nothing like a musical to send a strong message on racism and stereotypes. SDMT’s strong staging of “South Pacific” celebrates the 70-year-old classic…
Read MoreCalif. Ballet Goes to Jazzy Dark Side in ‘The Great Gatsby’
“There are lots of tuxes and fringe, Charleston and jazz. Having Lisa Hightower sing and improvise, well, that takes ballet to another level.“Watch for the partnering. It’s very physical and my dancers make high-flying lifts and tosses look easy…”
Read MoreWaltzing Thru Love Triangles in Cygnet’s Rewarding ‘A Little Night Music’
“Isn’t it rich? Are we a pair? Me here at last on the ground, you in mid-air. Send in the Clowns…”
Read More‘Giselle’ and Ghostly Wilis Return to Spreckels Theater
“Giselle is all about the story,” says Ariana Gonzalez, who dances the role of Giselle…“It still resonates, and in the Pas de Deux with Albrecht, the music and choreography take me to another place. It’s surreal.”
Read MoreOf Talented 10, Choreographer Chelsea Zeffiro Wins Top Prize
Judges and two audiences awarded prizes in three categories. Unlike previous years, there were no hip hop armies charging forward. Instead, dances blasted the senses with dramatic ensembles, angry fists, and quirky theater. And love.
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