Posts by Kris Eitland
Joyful ‘Square Dance’ Tops Extraordinary ‘Balanchine Masterworks’
The symmetry of “Concerto Barocco,” the gowns of “Emeralds,” and the joyful footwork in “Square Dance” in one extraordinary ballet program…
Read MoreDANCE RADAR: March into Spring with a Guide
Festivals, ballets, symphonies, collaborations, Cuban, Flamenco, whew–you’ll need a guide to navigate this month…
Read MoreWidening the Lens in Beautiful, Horizontal ‘Body Without Body Within’
new perspective and intimacy in Body Without Body Within in beautiful horizontal mode…
Read MoreConfronting Social Injustice in Big, Eloquent ‘Ragtime’
Performances are ferocious in this potent musical…
Read MoreRemembering Geoffrey Shlaes, Spreckels Theatre Director
His position with the Spreckels Theatre continued a family legacy as the third generation to operate the historic venue.
Read MoreUntangling Kota Yamazaki’s Contradictory ‘OQ’
Most regal was Silas Riener, his hair tied in a bun and silky blue shirt swirling. He balanced on one foot with the other flexed and outstretched as if crossing a river and…
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