Posts by Janice Steinberg
‘Tis a Gift to Be Simple: Trisha Brown’s “In Plain Site”
Trisha Brown’s dance, in “In Plain Site,” is plain the way Shaker art or a Zen rock garden is plain: Brown stripped movement to its essence, creating series of clean, simple gestures, often performed in silence. It’s simple and impeccable … “heroism of the ordinary.” And it moved me to tears.
Read More“4×4 TJ Night” Kicks Off WOW
When the Tijuana dance company Lux Boreal made Dance Magazine’s 25 to Watch in 2008, I wrote that they were raising the bar for dance in Tijuana. And, whether or not it’s Lux Boreal’s influence (I suspect it is), the six mostly-from-Baja works in “4×4 TJ Night,” curated by the company, were super, the best of them showing complexity and wit, as well as serious technical chops.
Read MoreSilly and Holy—Dance Artist Jesse Zaritt at youTurn
Tiny youTurn Arts, which puts on just one show a year, can hardly fill the gap left when Sushi went bust in 2011. Still, youTurn producers Erica Buechner and Anne Gehman have made terrifically savvy curatorial choices—like this year’s guest artist, Jesse Zaritt, whose solo, “send off,” felt wickedly ironic … and also holy.
Read More“Bee Conscious” Teaches, Charms
Colony collapse disorder as part of a dance? In “Bee Conscious,” Lara Segura deftly weaves in lessons about bees and presents witty dance that’s a pleasure to watch. There’s a striking Alvin Ailey moment, and utter hilarity when John Paul Lawson vamps as a queen bee.
Read MoreThe Chemistry Gets Steamy in Michael Mizerany’s “ManTrap”
What does it mean to be a man? It’s a big question, and Michael Mizerany explores it with depth, wit, and steamy sensuality in “ManTrap,” running this weekend at Diversionary Theatre.
Read MoreFringe Flashes: Astraeus Aerial Dance, Hip Hop Cabhooray
Eloquently moving bodies and impeccable imagery—”Echoes of Gallows Hill” by Astraeus Aerial Dance is such a complete, satisfying work of art that I had to create a new category for it, “Five-Star Fringe.” And Hip Hop Cabhooray is so fast-moving and fun, you probably won’t think about how ridiculously difficult it is to move twenty—20!—dancers around a small stage in a way that feels natural and easy; but Melissa Adao nails it.
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