Sunday’s Mainly Mozart concert under the baton of Music Director Michael Francis (June 10) featured the Festival Orchestra augmented by some 15 musicians from the Mainly Mozart Youth Orchestra, a Piano Concerto commissioned by Mainly Mozart, and a post intermission session in which guest pianist Derek Paravacini took themes and requests from the audience on which he improvised.

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Just as Robert Indiana’s familiar 1970 Love Sculpture became an apt symbol of the 1970s, the Swiss artist Arnold Böklin’s evocative painting “The Isle of the Dead” from 1880 captured the darker, mystical imaginings of fin de siècle Europe. Sergei Rachmaninoff turned Böklin’s painting into a dark tone poem, which he also titled “The Isle of the Dead” . . .

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