Posts Tagged ‘Iago Breschi’
City Ballet Soars in Premieres
Maurice Ravel didn’t intend for Bolero to be about sex. But the popular response to his 1928 composition—and of course the film “10”—have argued otherwise. Now there’s a fresh testament to the music’s erotic power: City Ballet of San Diego’s “Bolero—The Awakening,” which premiered at the Balboa Theatre last weekend. The ballet by company co-founder Elizabeth Wistrich sizzles.
Read MoreA Feast of Choreographic Invention: City Ballet’s “On the Move”
I was mesmerized by the dancers’ wrists, which in all three pieces are often flexed at dramatic 90-degree angles, both up and down. In another arresting gesture, they hold their wrists crossed as if shackled. And that’s just some of the choreographic invention on display from City Ballet’s Geoff Gonzalez last Saturday.
Read MoreIt’s the Music! It’s the Dance! City Ballet’s Balanchine Masterpieces Wows
In last weekend’s “Balanchine Masterpieces” program, the music proved as thrilling as the dance—especially Mark Polesky at the piano. Polesky brought brightness and verve to the Stravinsky and richness to Hindemith’s changing moods. And that was on an electric keyboard! The dance was equally stunning, from the moment the Spreckels Theatre curtain rose on a chorus line of dancers in sparkly lipstick-red.
Read MoreCity Ballet’s “Giselle” is a Gem
As Albrecht’s deception was revealed, Breschi squirmed with a delicious caddishness I hadn’t seen in this role. And when he got on his knees and begged Giselle’s mother (Kimberly Roberts) for forgiveness, wow! She rebuked him with such sharp gestures, I thought she was going to rip him limb from limb—and I hated Albrecht so much, I wanted her to do it.
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