The French Revolution, and the years before it, inundated the world with news of dire consequences in a particularly failed monarchy. Christopher Hampton’s ‘Les Liaisons dangereuses’ had every opportunity to exploit the revolution in the interest of character development — and somehow, Hampton abandoned its every notion in this nonetheless well-mounted drama.

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Carnage3

Four WASPS and a cell phone are featured in Yasmina Reza’s God of Carnage, now on the stage of the Old Globe’s White Theatre. Mom on the landline has a supporting role. It’s a pocket-sized version of Edward Albee’s Who’s Afraid of Virginia Woolf?: Fewer revelations, diminished booze and far less time lapsed but comparable…

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