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Internationally known for its complex, provocative work and technically stunning dancers, Lux Boreal is a very hot ticket at the San Diego Fringe Festival. Very hot and very bleak.
Talk about big expectations. July 4 was the first evening that Bill Conti conducted for San Diego Symphony’s Star Spangled Pops.
It’s brilliant that the premiere San Diego Fringe Festival is presenting what amounts to a Philip-Dimitri Galas retrospective. An incandescently talented artist, Galas invented his own genre, “avante-vaudeville,” to describe his combination of physical theater and explosive, poetic language, and the term seems Fringe-perfect.
For his finale after four superb Old Globe Theatre summer seasons, Adrian Noble finesses the early Tom Stoppard gumdrop, Rosencrantz and Guildenstern Are Dead, a mixture of Shakespeare and Samuel Beckett with plenty of Abbott and Costello thrown in. As always, Noble aces it. Gonna miss the guy.
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