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The American Dream is in reality the American Nightmare, and Sam Shepard is here to prove it. Cygnet Theatre’s very good Shep-Rep fare, comprising “True West” and “Fool for Love,” is Shepard come alive, with two emotionally raw scripts and a scathing indictment of a country that’s clearly lost its way.
Less than a year ago I had the opportunity to hear the outstanding male vocal quartet New York Polyphony perform a stimulating, eclectic program at the La Jolla Athenaeum. Friday (October 3) the ensemble returned to La Jolla for a concert of Spanish Renaissance music . . .
Over the last 13 years, playwright, Sarah Ruhl, has been creating a unique body of work. She has garnered critical acclaim for her offbeat plays such as Eurydice, Dead Man’s Cell Phone and the Tony nominated In the Next Room (or the Vibrator Play).
Bright Star, a new musical now in its world premiere at the Old Globe Theatre, is a very special show, one to be cherished and recalled from now on, the sort of reward that avid theatregoers dream of. Steve Martin, who just seems never to
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