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“…the guys’ response was, ‘oh no, I’m touching a ballerina!’ They weren’t used to that. There was a big intimidation factor for all of us. It was unexpected. I was really nervous. They were nervous. Some of the guys were more comfortable getting close and inter-twined…”
A dancer spins inside a square of light as if summoning the ancients to appear. More dancers in swimwear variations seem to leap from worn pages. We visualize triangles and there are threesomes. If that weren’t enough, a dancer draws long lines on the stage with a flour like substance for them to slide on…
San Diego Opera’s vibrant ensemble production of “La bohème” Saturday (Jan. 24) at Civic Theatre not only opened the 2015 season, but marked the company’s rebirth after a near-death experience last spring . . .
It’s hard to describe Stephen Karam’s play, Sons of the Prophet, performing through February 15 at Cygnet Theatre in Old Town. “Comedy-drama” is too mild. “Dark farce” comes closer, but doesn’t capture the true looney-tunes aspect of several of the characters. I think I’ll settle for “wonderful” and let it go at that…
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