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“Romeo and Juliet” quickly morphed into a symbol for the universal struggle of young lovers, and playwright Jordan Seavey’s 2016 opus “Homos, or Everyone in America” at San Diego’s Diversionary Theatre wants us to find a parallel universality in the tumultuous affair of two young gay men from Brooklyn . . .
In musical theater, getting everybody on the same page is tantamount to hunting for a needle within a needle in a silo of hay. That’s all the more reason to enjoy Broadway San Diego’s outstanding ‘Disney’s the Little Mermaid.’
Is it possible that family responsibility can become such a narcotic true of the new music; ‘Benny & Joon.’hat lives are ruined? Maybe, but help is on the way in the Old Globe Theatre’s premie
Adjacent to the ticket table at the Hausmann Quartet’s Sunday (September 17) Haydn Voyages concert stood a chalkboard marking the string quartet’s progress: 17.6% of the composer’s 68 string quartets performed thus far. That our local string quartet—Hausmann is in residence at San Diego State University—is serious about traversing Haydn’s complete string quartet repertory and wants its loyal audience to keep score could not be more charming. And charm abounded in Hausmann’s account of Haydn’s F Major String Quartet, Op. 74, No. 2, one of those particularly extroverted works the composer wrote for his successful, late-in-life concert tours of London.…
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