DANCE REVIEWS
‘Trolley Dances 2019’ Brings Brilliant Site Specific Work that Lingers
Nearly 100 dancers auditioned in July, and Isaacs’ San Diego Dance Theater hired about 50 dancers. Six choreographers selected dancers to perform along the trolley line for two weekends, Sept. 27 and 28, and Oct. 5 and 6. They’ll dance five times daily along an expanding light-rail system. Choreographers include: Jeremy Zapanta, Kevin Jenkins, Anjanette Maraya-Ramey, Lara Segura, Angel Acuna, and Regula Mahler…
Read MoreThe Genius of Ambiguity: Mark Morris at La Jolla Music Society’s Summerfest
The performance by the Mark Morris Dance Group at Summerfest last week was like a loaf of artisan rye bread—dense, complex, chewy. The evening at the Conrad Prebys Performing Arts Center was so packed with dance, music, and ideas, I would have like multiple viewings: once to focus on Morris’s choreography and brilliant movers, once for the world-renowned Summerfest musicians, and a third time to lose myself in the thrilling voice of countertenor John Holiday.
Read MoreMark Morris Dance Group Soars at SummerFest 2019
Eye, ear, and imagination have never been so simultaneously deluged in SummerFest’s 33 years of programming as they were Wednesday, August 21, with the Mark Morris Dance Group taking center stage at The Conrad.
Read MoreFiery, Authentic Dance Fuels ‘West Side Story’ at Moonlight
Choreographer Hector Guerero brings every distinctive finger snap and threatening melee from the source, Jerome Robbins…You may have seen the show before, but it’s danced wonderfully here…
Read More“Small Dances,” Compelling Stories: Litvak Dance at the Vine
Litvak Dance excels at storytelling, turning dances into intimate narratives. And Emily Miller is a gem, not only a powerful mover but a wonderfully mobile-faced actor whose pout could be a weapon. Those were my top takeaways from “Small Dances,” the program Litvak did at the Vine Theater last weekend.
Read MoreA downpour where you can hear individual raindrops: Dorrance Dance
The danger of amplifying tappers’ footfalls, especially with up to eight dancers onstage, is that if anyone goes a hair off-beat or doesn’t tap cleanly, it’s exposed. Dorrance and her seven dancers nailed it, whether in tight unison or doing a counterpoint like a downpour of sound—a downpour in which you can hear individual raindrops, they’re that precise.
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